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When Steve Jobs gives a keynote, there’s a script.  His is a process that’s been polished through years of practice.  Usually, first comes a warm-up.  Steve baits the audience with facts and notable achievements.  Something to grab their attention.  Next comes a teaser where he hints at the things he’s about to mention.  “I have three quick things to tell you about” he’ll say.  “It’s really exciting.”  “We’re absolutely thrilled.”  Then the announcements and product demonstrations follow.  There’s experts and music, applause pauses, and where possible, even celebrity cameos.  Each announcement builds off the last until, finally, to cap it off, there’s “one more thing” seemingly (but not really) that was almost forgotten; the big cherry on top of it all.  That’s when he throws out the big ace up his sleeve. Then the music plays.  (And the press and pundits begin their critiques).

This morning at Macworld, before the music of Tony Bennett paved the way for his exit, Phil Schiller stood in for Steve Jobs and did his best to follow the same routine. 

Phil had his list of talking points.  He had his “oh, by the way.”  He had a captive audience.  He had his musical departure.  Click to Read More

Macworld has been going on since 1985, the same year Steve Jobs resigned from Apple.   Since  1997, the year he came back, Apple has used the show as a springboard to introduce new products and as a pulpit for Steve to evangelize. 

In 1998, Jobs took to the stage to introduce the iMac.  In 2001, he enthusiastically showed iTunes and Apple’s first widescreen notebook.  In 2005, it was the Mac Mini and the iPod Shuffle.  Two years ago, in 2007, the iPhone took the spotlight.  Last year, it was the Macbook Air.    

Tomorrow, a new page will turn.  It will be Apple’s last year at the event (Apple announced they were pulling out of Macworld in December) and Steve Jobs won’t be giving the keynote.  Marketing exec. Phil Schiller will do it instead.   No one’s sure what the changes mean.  Will Apple quietly part ways with the independently run Macworld show? Or will the company say goodbye blazing with a surprise announcement of something new and unexpected?

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If you type “hate Vista” and “Microsoft” into Google, the search engine returns 91,200 results.  “Vista Sucks” and “Microsoft” returns 124,000.  It’s no secret Microsoft’s latest operating system offering has its critics.   Xbox and Zune owners are far less venomous.  Many, in fact, are fiercely loyal to the products that come out of Redmond.   This new year, however, the ranks of Zune faithful may thin by a few.

On December 31st, some owners of first generation 30gb Zunes were forced to ring in the new year with silence after a program error temporarily rendered their MP3 players into digital paper weights.

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Happy New Year!

After a short break, Metue will be back on January 2nd, 2009 with fresh content and new material.

Until then, in tribute, we offer this visual look back on some of the famous faces – from Paul Newman to George Carlin to Tim Russert – who passed away in 2008.

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As years end and the holiday cycle takes over, the pace of events downshifts to a crawl.  People rest, taking time with friends and family to reflect and recharge.  Vacation’s take over, businesses shutter.  Business events and politics, pause.  Similarly, the news industry reporting on it all, retrenches. In papers and on websites around the world, pages and mastheads usually dotted with zippy headlines and urgent ledes loan space to nostalgic recaps and forward projections; accounts of the year that was and prognostication for the year that will be.

It’s that time of year.

The lists of 2008’s highlights and shortcomings promise to be long.  Many will emphasize the historic U.S. elections and the plight of the global economy.  There will be talk of Wall Street’s upheaval and the auto industry’s implosion, Madoff’s mess and fortunes lost. There will be assessments of the Mideast, reference to oil and gas and the environment. There will be summaries of mergers and acquisitions, those that succeeded and those that failed, highlight reels and shames, box office booms and busts.

So goes the year end process.

In this fervent generation of lists, hopefully,  the news media won’t overlook reviewing itself.  History has yet to write the footnotes, but 2008 is a year that could end up standing out as a part of a watershed period in the evolution of print media, a year when Internet news became a more relied upon source than print (according to a recent Pew Internet survey), a time when digitally rooted upheaval may have finally reached such a pinnacle that it will begin to force the transformation of the industry.

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As a retail brand, Walmart is as ubiquitous as any.  The chain’s stores have been the subject of movies, protests and debates, praise and condemnation. You’d have to live under a rock to never have heard of them.  The same is becoming true for Apple’s iPhone.  As a retail product, the industry-changing cell phone is well on its way to achieving a superstar level of awareness.  Now, the two will be available together.

For months there had been speculation Apple would introduce a cheaper 4GB model for sale through Walmart.  Confirming the relationship part of those rumors but debunking the rest, Walmart will join Best Buy as an distributor of the existing product line. Click to Read More

If you missed the headlines, Warner Music Group, the first of the Big 4 record labels to partner with YouTube has pulled off the site.  Accounts and press releases differ over culpability – whether YouTube bailed or Warner Music punted – but the material fact is the same.  From Bad Company to the B-52’s, James Blunt to Jane’s Addiction, the videos are down.  The reason is simple: money.

For several months, the two companies have been trying to renegotiate their expired license agreement.   Under the prior terms, its reported that Warner received either a fraction of a cent per video play or a share of any ad revenue generated alongside their content, whichever was greater. 

Neither, it turns out, was great enough. According to the New York Times, in 2008 less than one percent of Warner’s $639m in digital revenues came from YouTube; that despite the fact that music videos are among the most watched content on the site. 

According to Ad Age “Forty-seven of the top 100 most-watched creators on YouTube are musicians or labels.”

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